
Daur’s book is raw: one feels his pain at the state of Waziristan through its pages. It is particularly strong since Daur writes from within Waziristan: we, not they.
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Daur’s book is raw: one feels his pain at the state of Waziristan through its pages. It is particularly strong since Daur writes from within Waziristan: we, not they.
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Visiting one of the world's oldest private museums in Lahore, a writer re-discovers her home. Issue 10
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اردو | New poetry on Bangladesh’s birangonas blurs the line between conventional fact and art. Issue 9
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اردو | Artist Madiha Hyder captures how the news has penetrated our lives, shaping a perception of the spaces we inhabit and our sense of self. Issue 9
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کراچی کینوس پر : مدیحہ حیدر کے ورلڈ ميڈمیں خبروں، تشدد اور شہرکی عکاسی
eng | مدیحہ حیدر کی تخلیقات ہماری زندگیوں میں خبروں کے نفوز کا احاطہ کرتی ہیں۔ یہ تخلیقات ہمارے گردو نواح اور عرفان ذات سے متعلق خبروں کے اثر و رسوخ کی عکاسی کرتی ہیں۔شمارہ ٩
Tanqeed looks at the coverage of Operation Zarb-e-Azb in the national media, and in the zine, one year on.
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On 23rd May, 2015, the Awami Art Collective launched a public art display at Bagh-e-Jinnah in Lahore to commemorate those civilians who have lost their lives in rampant communal violence and terrorism in Pakistan in the past thirty years.
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