
اردو | There has been a predilection on the part of non-Pashtun Pakistanis and other actors to look at the problem of terrorism as, somehow, a Pashtun problem. Issue 9
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اردو | There has been a predilection on the part of non-Pashtun Pakistanis and other actors to look at the problem of terrorism as, somehow, a Pashtun problem. Issue 9
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On 23rd May, 2015, the Awami Art Collective launched a public art display at Bagh-e-Jinnah in Lahore to commemorate those civilians who have lost their lives in rampant communal violence and terrorism in Pakistan in the past thirty years.
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Scores of people have also died in various military operations in the last decade including earlier operations in North and South Waziristan, and Swat. So, why respond now?
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On the two month anniversary of the attack on an army school in Peshawar, Mahru Najam recalls her own experience of attacks that have become too common -- and that cost her a friend's life.
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The tragedy that should have paved the way for an honest conversation about the roots of militancy has instead strengthened a flawed narrative of civilian failure, and a dangerous call for army intervention.
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To impose distinctions upon tragedies is a strictly arbitrary exercise. So, why was Peshawar seen as a turning-point?
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سانحہ پشاور: تنقید کا بیان
ہم نے انسانی جانوں کو سستا سمجھ کر ریاستی نظریات،مخصوص مذہبی تشریحات، اور حکمران طبقات کے مالی و ذاتی مفادات کو قیمتی تصور کر لیا ہے۔ کسی انسانی معاشرے میں ایسے رویے کی گنجائش نہیں ہو سکتی ۔