Artist Imran Channa investigates the historical truth associated with the photograph, and how history itself remains malleable to ideology–despite the ostensibly stubborn veracity of photographic evidence. Issue 10 Read More »
A curator reflects on Partition, and the role of visual culture in showing the unsayable, giving voice to the unthinkable, and shaping images out of the forgotten. Issue 10: Borders/Boundaries Read More »
اردو | Khamosh Pani and Ramchand Pakistani are the first films by a generation that did not directly experience Partition. They plumb memory and examine living with what comes after. Read More »