
I continue to flinch at loud noises, avoid violent films and substitute “hit” for “beaten” because being hit is not the same as being beaten. I am not beaten. I do not accept defeat.
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I continue to flinch at loud noises, avoid violent films and substitute “hit” for “beaten” because being hit is not the same as being beaten. I am not beaten. I do not accept defeat.
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I spoke with this female Ahmadi student to document the tribulations Ahmadi women go through once they step out of the security of Rabwah.
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اردو | You are well educated, you are a teacher, then why this beard and hair? Issue 9
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In Pakistan, Facebook is used to reproduce family practices that keep women from public spaces–both of the physical and digital kind.
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If the state has been unwilling to fully regard penises and anuses, it has contemplated vaginas even less ably. In these social crevices then, a certain kind of space can flourish outside of the state’s harsh glare.
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اردو ادب میں صنفی کردار کی صورت گری
یہ ممکن نہیں کہ سماج میں عورت اور مرد کے روایتی صنفی کردار بدل جائیں اور ادب گزرے ہوئے زمانے کے رشتوں اور حالتوں کا بیان لکھتا رہے۔
عورت کو گالی کیوں دی جاتی ہے
عورت گالی دے تو کسے گالی دے کہ ہر گالی تو ماں بہن کے بارے میں ہوتی ہے تو کیا میں اپنے آپ کو گالیاں دوں؟